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As public interest in modern art continues to grow, there is a real need for a book that will engage general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and its history.
Art, Modern --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art
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Art --- anno 1900-1999 --- Art, Modern --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists)
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"Modern art, reflecting and defining new intellectual, scientific and technological developments, has radically extended the conventional media of sculpture and painting. Following innovative ideas about representation and the free use of materials in Cubism, Futurism and Surrealism - particularly in the work of Duchamp - artists abandoned strict adherence to traditional hierarchies of media and embraced any means, including technological, which best served their purposes. In the last fifty years especially, ideas about time and duration have reinstated narrative in art, via film-making and video, the theatricality of Happenings, Performance and Installation art, digitally manipulated photography and Virtual Reality." "This book, now expanded and revised, discusses the most influential artists internationally - from Eadweard Muybridge to Robert Rauschenberg, Bill Viola and Pipilotti Rist - and those seminal works which have radically transformed the map of world art."--BOOK JACKET.
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Art, Modern --- Earthworks (Art) --- Environment (Art) --- Assemblage (Art) --- Earth art --- Earth scale art --- Land art --- Conceptual art --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists)
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Networked collaborations of artists did not begin on the Internet. In this multidisciplinary look at the practice of art that takes place across a distance -- geographical, temporal, or emotional -- theorists and practitioners examine the ways that art, activism, and media fundamentally reconfigured each other in experimental networked projects of the 1970s and 1980s. By providing a context for this work -- showing that it was shaped by varying mixes of social relations, cultural strategies, and political and aesthetic concerns -- At a Distance effectively refutes the widely accepted idea that networked art is technologically determined. Doing so, it provides the historical grounding needed for a more complete understanding of today's practices of Internet art and activism and suggests the possibilities inherent in networked practice. At a Distance traces the history and theory of such experimental art projects as Mail Art, sound and radio art, telematic art, assemblings, and Fluxus. Although the projects differed, a conceptual questioning of the "art object," combined with a political undermining of dominant art institutional practices, animated most distance art. After a section that sets this work in historical and critical perspective, the book presents artists and others involved in this art "re-viewing" their work -- including experiments in "mini-FM," telerobotics, networked psychoanalysis, and interactive book construction. Finally, the book recasts the history of networks from the perspectives of politics, aesthetics, economics, and cross-cultural analysis.
Art and society. --- Art and telecommunication. --- Art, Modern --- Telecommunication and art --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Telecommunication --- DIGITAL HUMANITIES & NEW MEDIA/New Media Art --- ARTS/Art History/Contemporary Art
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Art and society --- Art --- Art, Modern --- History --- Philosophy. --- 7.01 "19" --- 77.01 --- 7.01 --- Kunsttheorie ; over interpretatie --- Visuele communicatie --- Kunsttheorie ; 21ste eeuw --- Beeldvorming ; representatie --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Fotografie--Semiotiek van de fotografie. Theorie --- Kunst ; theorie, filosofie, esthetica --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- 7.01 "19" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Philosophy --- Analysis, interpretation, appreciation --- 20th century --- Art [Modern ]
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Drucker shows that artists today are aware of working within the ideologies of mainstream culture and have replaced avant-garde resistance with acknowledged complicity. Finding their materials at malls and superstores or exploring celebrity culture, contemporary artists have created a vibrantly playful attitude towards mass culture - all while critics continue to cling to an outmoded vocabulary of opposition and radical negativity that defined modernism's avant-grade. At the cutting edge of new media research, Drucker surveys a wide range of exciting contemporary artists demonstrating their clear departure from the past and petitioning viewers and critics to shift their own terms and sensibilities as well.
Aesthetics of art --- anno 1900-1999 --- anno 2000-2099 --- Art and society --- Art criticism --- Art, Modern --- Postmodernism --- 7.01 --- 7.039 --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Contemporary art --- Art --- Art and sociology --- Society and art --- Sociology and art --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Arts --- Criticism --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- Hedendaagse kunststromingen.Post-moderne kunst --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Philosophy --- Social aspects --- Analysis, interpretation, appreciation --- Art [Modern ] --- 20th century --- 21st century --- History
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This study traces the development of Surrealist theory of visual art and its reception, from the birth of Surrealism to its institutionalization in the mid-1930s. Situating Surrealist art theory in its theoretical and discursive contexts, Kim Grant demonstrates the complex interplay between Surrealism and the critical expectations of contemporaries. She examines the challenge to Surrealist art raised by the magazine Cahiers d'Art, which promoted a group of young painters dedicated to a liberated and poetic painting process that was in keeping with the formalist evolution of modern art. Grant also discusses the centrality of visual art in Surrealism as a material manifestation of poetry; the significance of poetry in French theories of modern art; and the difficulties faced by an avant-garde movement at a time when contemporary audiences expected revolutionary innovation.
Surrealism. --- Art, Modern --- Art criticism --- Ut pictura poesis (Aesthetics) --- Surréalisme --- Art --- Critique d'art --- Ut pictura poesis (Esthétique) --- History --- Histoire --- Ut pictura poesis (Esthetica) --- Ut pictura poesis (Esthétique) --- Art styles --- anno 1900-1999 --- Surrealism --- Aesthetics --- Art and literature --- Humanism in art --- Superrealism --- Surrealism in art --- Arts, Modern --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Ut pictura poesis (Aesthetics). --- Art [Modern ] --- 20th century --- France --- Art, Modern - 20th century --- Art criticism - France - History - 20th century
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experimentation --- political art --- networks [computer] --- Internet --- radio [telecommunication system] --- Art --- community art --- Fluxus --- new media art --- mail art --- psychoanalysis --- cyberspace --- psychology --- computer art [visual works] --- Art and society --- Art and telecommunication --- Art et société --- Art et télécommunications --- Kunst en maatschappij --- Kunst en telecommunicatie --- Maatschappij en kunst --- Society and art --- Société et art --- Art and society. --- Art and telecommunication. --- Art, Modern --- edited by Annmarie Chandler and Norie Neumark --- nieuwe media --- twintigste eeuw --- activisme --- kunst en politiek --- internet --- computers --- virtual reality --- netwerken --- telecommunicatie --- kunst --- Galloway Kit --- kunst en technologie --- Rabinowitz Sherrie --- radio --- digitale kunst --- psychoanalyse --- kunst en psychoanalyse --- Bruscky Paulo --- Kac Eduardo --- Barthes Roland --- radio art --- telematic art --- sound art --- muziek --- kunsttheorie --- 791.5 --- 7.01 --- 7.038 --- Art [Modern ] --- 20th century --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Telecommunication and art --- Telecommunication --- Art and sociology --- Sociology and art --- Social aspects --- internetkunst --- samenwerking van meerdere kunstenaars --- collaboration
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Popular culture --- Popular music --- Feminism --- Fashion --- Sex in popular culture --- Art, Modern --- Art, British --- History --- History and criticism --- Great Britain --- Social life and customs --- 82:7 --- Literatuur en kunst --- 82:7 Literatuur en kunst --- Art, British. --- Sexuality in popular culture --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Style in dress --- Clothing and dress --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- British art --- Sociology of culture --- Popular culture - Great Britain - History - 20th century --- Popular music - Great Britain - History and criticism --- Feminism - Great Britain - History - 20th century --- Fashion - Great Britain - History - 20th century --- Sex in popular culture - Great Britain --- Art, Modern - 20th century --- Great Britain - Social life and customs - 20th century
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